I have had this for a while and never made my own patterns on it until now.
#Korg electribe remixlive how to#
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#Korg electribe remixlive pro#
Now that I’ve been working in the pro audio industry for 25 years and training my ears, I would never purchase one of those for anything other than a joke. I remember the first time I heard a boss metal zone pedal, I thought it was perfect. It is, in fact, an instrument of almost infinite freedom. It can be especially tricky with synthesis since there a few rules to follow that parallel other instruments. No offense to them, but just like with guitar or any other instrument, it takes years to develop an ear for good tone. Everything sounds ‘incredible’ or ‘insane’ to them (just watch a the YouTube reviews). It’s been my experience that most people just now getting into synthesis, which seems like a majority of the community anymore, have yet developed an ear for it. Don’t get me wrong, VAs have a time and place (my Nord lead 2 is one of the best imo). It’s alright, but has a cheap VA sound that you can’t seem to shake with all the tweaking in the world. I used it for years and have to say I’m glad I got rid of it. Probably all that’s missing is some cheap reverb/compression/pitch shifting pedals and you can really make those insane electro kits go bonkers. If you pair it with a EM-1 or EMX, you have more effects & patches at your fingertips. Pair it up to a ES-1 and you can keep the beats in sync as you let the ES trigger in samples, of anything you can think of. Pair it up with a EA-1 and you can make instant acid house, breaks, techno, etc. (Non electro sounds are the ER’s weakness). Having both would be very powerful, but if this is your only drum machine then you really only need to pair it up to another rackmount drum module or drum machine so you can trigger acoustic drum hits. North too many drum machines UNDER the Digitakt’s price range gives you that.
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Not to mention how you can craft your kicks, toms, & snares with the various VA oscillators. You can put in other drum machines, synths, samplers, effects into it, and have it slice in & out as often as you want in a 4/4 pattern. Ive got a ER-1 mk2, but there were a few patterns from the og that made me want to get both! It’s a bucket list Gas purchase if I do, but hey, why not? I love the ER-1 because of the audio ins. Nowadays these things are retailing on the used market at around 200-300 euros and at this entry level price are more than worth the investment.”
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Under the hood of this rectangular silver and red box is an analogue modelling synth, built around four analogue modeled instruments and four PCM samples, a 64-step sequencer and adjustable oscillator, envelope, modulations and a built in delay. “This was Stimming’s first drum machine, so holds a special nostalgic place in his heart, it’s frenzied interface and manipulability can seem almost archaic at times, you can really go crazy with as is so wonderfully displayed by Stimming in this video. But it can make a huge variety of very electronic percussion sounds, giving it a unique sound, and the Electribe sequencer is capable and easy to use.Ĭheck out the video and share your thoughts on the Korg ER-1 in the comments! The ER-1 is a strange little box, because it doesn’t have the kick of classic Roland drum machines, and it’s analog modeled voices don’t sound especially authentic. In the latest episode of Sense Music & Media‘s Modern Classics series, host Martin Stimming reviews one of the most notable drum machines of the last few decades, the Korg Electribe ER-1 Groovebox.